Kill Me is a magnificent living tableau of the madness of love and mental illness performed by six dancers simply bursting with dazzling energy. Marina Otero turns the stage into a place of raw truth, where stories and dance combine to sketch an unfiltered self-portrait. She uses it to explore toxic love affairs and domestic violence with radical intensity, a fascinating blend of poetry and wild roughness.
This show contains scenes of nudity.
"Kill Me" 2024 creation
Piece for 6 performers
Text and direction Marina Otero
With Ana Cotoré, Josefina Gorostiza, Myriam Henne-Adda, Natalia Lopéz Godoy, Marina Otero, Tomás Pozzi
Live music Myriam Henne-Adda
Assistant director Lucrecia Pierpaoli
Lighting design Victor Longás Vicente, David Seldes
Sound design Antonio Navarro
Costumes design Andy Piffer
Couture Guadalupe Blanco Galé
Technical direction and lighting Victor Longás Vicente
External view Martín Flores Cárdenas
Photography Sofia Alazraki
Video Florencia de Mugica
General and executive production Mariano de Mendonça
Production Marcia Rivas
Production assistant Kysy Fischer
Distribution Otto Productions (Nicolas Roux, Lucila Piffer) - Tecuatro (Jonathan Zak, Maxime Seugé) – PTC Teatro (Olvido Orovio)
Coproduction Teatros del Canal - Madrid, HAU Hebbel am Ufer – Berlin, Cité européenne du théâtre - Domaine d’O - Montpellier/ PCM2024, Théâtre du Rond-Point – Paris, Célestins - Théâtre de Lyon, FITEI Festival Internacional de Teatro de expressão Iberica - Porto
With the support of Residencia artística de la Casa Velázquez du Ministère d’Education Supérieur, FITLO Festival Iberoamericano de Teatro de La Rioja, MAMBA: Museo de Arte Moderno de Buenos Aires: El Borde de simismo
This spectacle has benefited from the IBERESCENA 2024 Aid
Credits photos Mariano Barrientos (photo 1 et 3), Sofia Alazraki (photo 2), Marina Caputo (photos 4 et 5)
PRESS QUOTES
“A suspended moment, a slap, a concentrated emotion! “
L’œil d’Olivier, 05 June 2024
“Crackling with ideas, the sulfurous and intimate show
of the Argentine choreographer Marina Otero leaves her mark.”
Libération, 15 September 2024