PAVILLON NOIR – 2026>2027 SEASON

PAVILLON NOIR – 2026>2027 SEASON

Discover the shows coming next season at the Pavillon Noir in Aix-en-Provence!


Photographe © Yang Wang / Danseurs et danseuses du Ballet Preljocaj : Elliot Bussinet, Leonardo Cremaschi, Mirea Delogu, Lucia Deville, Erwan Jean-Pouvreau, Mireia Reyes Valenciano, Owen Steutelings, Micol Taiana / Remerciements à American Vintage / Textes spectacles : Vinciane Laumonier / Traduction anglaise Tresi Murphy / Conception graphique : Floriane Ollier

PAVILLON NOIR

Next performances

Pavillon Noir, a center for creation and experimentation

Pavillon Noir, a center for creation and experimentation

The Pavillon Noir is a venue for creation where Ballet Preljocaj and guest companies in residence can work and finish their shows ahead of the first performance. By encouraging the emergence of up-and-coming talent, it has become a sought-after venue in the Provence-Alpes-Côte d’Azur region and a stopping-off point on the international contemporary dance circuit. There are regular opportunities for members of the public to meet the artists and learn all about the creative processes involved.

Associate artist

Associate artist

Following Oona Doherty, Anna Chirescu becomes associate artist of the Ballet Preljocaj for the 2026–2027 season.

She benefits from access to the rehearsal studios, the theater stage, and the expertise of the Pavillon Noir teams to carry out her projects.

Artists in residence

Artists in residence

Each season, Ballet Preljocaj is hosting companies in residence as part of its “accueil-studio” program.

They benefit from financial support and the use of studios and/or the stage to rehearse their creations.

Cultural activity: an invitation to discover and encounter

Cultural activity: an invitation to discover and encounter

Ballet Preljocaj organises a wide range of outreach activities based on exchange and proximity. These activities are an opportunity for as many people as possible to discover the world of dance and have their curiosity aroused, as well as instil a keenness in them to see more. Its work is centred on two key notions of helping audiences encounter the art form of choreography with guest artists and refining their choreographic culture and critical reception of different works.

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