PAVILLON NOIR - 2024>2025 SEASON
PAVILLON NOIR - 2024>2025 SEASON
Ticketing for show opens :
– Wednesday 19 June 2024 at 6pm online
– Saturday 22 June 2024 from 8am to 6pm by phone 04 42 93 48 14 or on site at the Pavillon Noir
Photographer © Yang Wang / Dancers : Lucile Boulay, Araceli Caro Regalón, Paul-David Gonto, Víctor Martínez Cáliz, Ygraine Miller-Zahnke, Romain Renaud / Remerciements à Gertrude / Textes : Vinciane Laumonier
PAVILLON NOIR
Next performances
BALLET PRELJOCAJ JUNIOR / ANGELIN PRELJOCAJ
« N »
MARCOS MORAU / CCN-ATERBALLETTO (Spain/Italy)
NOTTE MORRICONE
ANGELIN PRELJOCAJ
HELIKOPTER / LICHT (2025 CREATION)
ANGELIN PRELJOCAJ
HELIKOPTER / LICHT (2025 CREATION)
Pavillon Noir, a center for creation and experimentation
Pavillon Noir, a center for creation and experimentation
The Pavillon Noir is a venue for creation where Ballet Preljocaj and guest companies in residence can work and finish their shows ahead of the first performance. By encouraging the emergence of up-and-coming talent, it has become a sought-after venue in the Provence-Alpes-Côte d’Azur region and a stopping-off point on the international contemporary dance circuit. There are regular opportunities for members of the public to meet the artists and learn all about the creative processes involved.
Associate artist
Associate artist
After Hervé Chaussard, Émilie Lalande and Arthur Perole, Angelin Preljocaj has chosen Ooona Doherty as associate artist at Ballet Preljocaj for the period 2024-2024.
Artists in residence
Artists in residence
Next season, Ballet Preljocaj is hosting six companies in residence as part of its “accueil-studio” program.
They benefit from financial support and the use of studios and/or the stage to rehearse their creations.
Cultural activity: an invitation to discover and encounter
Cultural activity: an invitation to discover and encounter
Ballet Preljocaj organises a wide range of outreach activities based on exchange and proximity. These activities are an opportunity for as many people as possible to discover the world of dance and have their curiosity aroused, as well as instil a keenness in them to see more. Its work is centred on two key notions of helping audiences encounter the art form of choreography with guest artists and refining their choreographic culture and critical reception of different works.