HELIKOPTER / LICHT (2025 Creation)

Double bill
Choreography Angelin Preljocaj
World premiere April 10 2025 at Théâtre de la Ville-Sarah Bernhardt, Paris (France)
HELIKOPTER Creation 2001
Piece for 6 dancers
Music Karlheinz Stockhausen, "Helikopter-quartet’"
Performed by Le Quatuor Arditti
Scenography Holger Förterer
Lighting Patrick Riou
Costumes Sylvie Meyniel
Assistant, Deputy to the Artistic Direction Youri Aharon Van den Bosch
Rehearsal assistant Paolo Franco
Choreologist Dany Lévêque
Dancers (in alternation) Liam Bourbon Simeonov, Clara Freschel, Mar Gomez Ballester, Paul-David Gonto, Lucas Hessel, Verity Jacobsen, Florette Jager, Beatrice La Fata, Yu-Hua Lin, Florine Pegat-Toquet, Valen Rivat-Fournier, Leonardo Santini
Command of Biennale Nationale de Danse du Val-de-Marne 2001
Coproduction 2001 La Criée Centre Dramatique National de Marseille, Biennale Nationale de Danse du Val-de-Marne, Maison des Arts et de la Culture de Créteil et du Val-de-Marne, Groupe Partouche Casino Municipal Aix/Thermal
Award Herald Angel Award by Edinburgh International Festival
LICHT 2025 creation
Piece for 12 dancers
Choreography Angelin Preljocaj
Original music Laurent Garnier
Light design Éric Soyer
Video Nicolas Clauss
Costumes Eleonora Peronetti
Assistant, Deputy to the Artistic Direction Youri Aharon Van den Bosch
Rehearsal assistant Paolo Franco
Choreologist Dany Lévêque
Dancers Liam Bourbon Simeonov, Clara Freschel, Mar Gomez Ballester, Paul-David Gonto, Lucas Hessel, Verity Jacobsen, Florette Jager, Beatrice La Fata, Yu-Hua Lin, Florine Pegat- Toquet, Valen Rivat-Fournier, Leonardo Santini
Crédits Photos Jean-Claude Carbonne / Video © Julien Bengel
Watch the video teaser


Six propellers-dancer trace their trajectories across Stockhausen’s famous Helikopter-quartet. Holger Förterer’s videos projected onto the floor expose them to rotations of light. Angelin Preljocaj presents a radical, whirring dance before sharing his new creation, LICHT.

« Upon first hearing Helikopter Quartet’ by Karlheinz Stockhausen, the idea of creating a choreography to this music did not cross my mind at all since this work seemed to erode, at each turn of the helix, the actual foundations of a relationship between music and dance.

It is, in fact, for this reason that, on a second hearing, the jubilatory desire to confront the intertwining helix turbines and the glissandi of the Arditti Quatuor irrepressibly emerged.

The challenge of this creation is to expose six dancers to the wild, techno-organic rhythms of this piece by Stockhausen. »

Angelin Preljocaj