With Tendre Carcasse, Arthur Perole delivers a choreography that is attentive to bodies in all their diversity, their singularity. A quartet in the form of a sensitive portrait, of a youth in search of itself, attempting through trial and error to define itself, to understand and discover itself. The choreographer takes on the role of  spokesperson through impulsive writing where the intimate intersects with the universal… Authentic.

With CieF, which he founded in 2010, Arthur Perole explores forms of relationships between choreographer, dancer and audience by focusing on togetherness and gathering. Nearly 10 pieces have been created in this way. He also collaborates in theatre with Vincent Goethals, Wajdi Mouawad, Edith Amsellem and in film with Pascal Catheland. He is an associate artist of the Ballet Preljocaj for the 2022-2023 season.

Dates
Thursday
9 November 2023 at 8pm
Friday
10 November 2023 at 8pm
Place
Theatre - Pavillon Noir
Price
From 10€ to 25€
Duration
50 minutes
Age
From 13 years old

Distribution / Credits

Choreography Arthur Perole
Artistic collaboration Alexandra Da Silva
Interpreters Arthur Bateau, Mathis Laine Silas, Élisabeth Merle, Agathe Saurel
Lights Anthony Merlaud
Costumes Camille Penager
Stage management, lighting Nicolas Galland
Sound and control Benoît Martin
Production and diffusion Sarah Benoliel
Administration Anne Vion, Maureen Pette
Production Compagnie F
Coproduction Ballet Preljocaj CCN D’Aix-en Provence, Carreau du temple Établissement culturel et sportif de la Ville de Paris, Le Gymnase CDCN Roubaix, La Commanderie Saint-Quentin-en-Yvelines, 3BisF - centre d’art contemporain à Aix-en-Provence
With the mecenat of Groupe de la Caisse des dépôts
With the support of KLAP Maison pour la danse
Studios at CND Centre national de la danse
The company is subsidized by the DRAC Provence-Alpes-Côte-D'azur (structuring support since 2017), the Conseil Régional Provence-Alpes-Côte-D'azur, the Conseil Départemental des Bouches-du-Rhône, and the city of Marseille
Photography Nina-Flore Hernandez

AROUND THE PERFORMANCE OF

ARTHUR PEROLE