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With CHRONIQUES, Biennale des Imaginaires Numériques
Two Swiss companies explore the spectator's point of view, between voyeurism and contemplation...

Through a porthole, you watch the show alone. Feathered, glittery creatures and dreamlike incarnations... the imagination runs wild!
The Delgado Fuchs collective reappropriates the peep show in a strange and whimsical artistic dimension.


This show includes scenes of nudity. Limited capacity.

In corealization with
With the support of
Dates
Friday
17 January 2025
Saturday
18 January 2025
Opening hours
6pm - 6:50pm - 7:40pm - 9pm - 9:50pm- 10:40pm
Place
Studio Bagouet
Duration
40 minutes
Price
From 10€ to 25€

Distribution / Credits

Creation 2024
Duration 40 minutes
Direction, concept and scenography Delgado Fuchs
Choreography and performance collaboration Alexia Casciaro, Marco Delgado, Nadine Fuchs, Lalla Morte, Natalia Pieczuro
Set design Adrien Rovero
Stage management Jérôme Vernez, Manu Giroux
Lighting design Jérôme Vernez, Hugo Cahn
Sound creation Clive Jenkins
Costumes and design Delgado Fuchs et Lena Quist
External view Alexandra Bachzetsis
Collaboration and production Rosine Bey
Production Association Goldtronics
Creative and technical residencies Espace Amaretto - Lausanne, Le Grütli – Centre de production et de diffusion des Arts vivants - Genève, Le Centquatre - Paris
Thanks Antonino Tramparulo et Maurizio Tempesta - Tempesta Tramparulo, Susanne Fuchs, Nadja Imhof, Barbara Giongo, Anne Kersting, Cie La Bocca della Luna - Muriel Imbach, Numero23Prod. - Massimo Furlan, festival de La Cité, le comité de l'Association Goldtronics
Support Loterie Romande, Ville de Lausanne, Pro Helvetia - Fondation suisse pour la culture, Fondation Ernst Göhner, SSA - Société suisse des auteurs | bourse chorégraphique, SIS Fondations suisse des artistes interprètes, Fondation Suisa.
The Delgado Fuchs collectif est au bénéfice d'une convention de subvention de l'Etat de Vaud de durée déterminée pour les années 2021-2023 et 2024.
Photography Stéphane Millet

AROUND THE PERFORMANCE

WITHIN THE CONTEXT OF CHRONIQUES

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